Get started in macro photography with spring flowers

Ross Hoddinott5 min read29 mai 2026Macro & Close-Up
Nikon magazine - macro photography with spring flowers

Ross Hoddinott gives his top tips for getting the best out of Nikon’s latest crop sensor macro prime lens

Macro photography is more accessible than ever with the new NIKKOR Z DX MC 35mm f/1.7 lens. We sat down with Nikon Ambassador and macro specialist Ross Hoddinott to talk about his experience with this crop sensor lens and get his advice on getting started with a great project – spring wildflowers.

 

Nikon Magazine: Hi Ross, these days you use a full frame Nikon Z8, so how was the experience of working with the DX camera and lens?

 

Ross Hoddinott: No issues at all! Some people can be very stuffy about the whole full frame vs crop sensor thing, but I come from a background of using Nikon crop sensor DSLRs such as D200 and D300 and I loved them all. The other thing is the control layout of the Z50II vs the Z8. Obviously, with a smaller body there are a few buttons that are relocated to menu items due to space, but I’m so used to using Nikons that everything is in the right place.

 

NM: And how did the lens perform?

 

RH: Really well. I wouldn’t normally use a 35mm focal length for my macro images because it’s not my style, and I thought I might struggle with what is effectively a 50mm on a crop sensor, but I didn’t at all. I achieved the sort of results that I enjoy capturing without any difficulty. Usually, I would be using the NIKKOR Z MC 105mm f/2.8 VR S or an older 200mm lens, so I’m working further away from the subject. This has advantages when you’re taking photos of things that can fly away, but for flowers, new growth and leaves in spring this lens performed really well.

 

NM: Were you wide open at f/1.7 most of the time?

 

RH: Mostly, but that’s because of my personal style, where I like to throw that background out of focus. But there are others, such as the backlit sycamore leaf, where I stopped down to achieve a more overall sharpness in the frame.

 

NM: Would you recommend a tripod for macro photography?

 

RH: Actually, most of this work is handheld. What you have to realise is that when photographing handheld your success rate is going to be lower, because the depth of field is so shallow that even the tiniest movement can throw things off. That can be you moving or your subject if it’s breezy. Whether you’re using a tripod or photographing handheld, not every image is going to be sharp, so it’s a numbers game. But with a light and compact set-up like this, going handheld is really easy. The main difference for me with a tripod is that it enables me to refine composition and place focus a bit more. On a tripod I use the magnifying tool and manual focus to adjust the precise focus point of the image, whereas when I’m handheld I’ll rely on the autofocus.  

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Nikon magazine - macro photography with spring flowers
Nikon magazine - macro photography with spring flowers
Whether on a small tripod or handheld, the Nikon Z50II and NIKKOR Z DX MC 35mm f/1.7 is a light and easy to use system for macro shots of flowers. Nikon Z8 + NIKKOR Z 24-120mm f/4 S, 66mm, f/4, 1/640 sec, ISO 400 ©Ross Hoddinott

NM: Do you mainly use the monitor or the EVF?

 

RH: If I’ve got the camera very low down, on the mini tripod, I can just flip the screen up and do everything from there. If I’m lying on the ground using my elbows as support and stability for the camera, I’ll use the EVF. It all depends on the subject, the situation and the circumstances.

Nikon magazine - macro photography with spring flowers
Nikon magazine - macro photography with spring flowers
Switching to manual focus for fine adjustments. Nikon Z8 + NIKKOR Z 24-120mm f/4 S, 78mm, f/4, 1/500 sec, ISO 400 ©Ross Hoddinott

NM: What’s the key to good lighting for macro images of flowers?

 

RH: If it’s during the day, my preference is to work in overcast conditions with a nice flat light. Then I can introduce artificial light to get the effect I want. I use little rechargeable LED lights that I can position in order to get the lighting that I want. Small LEDs are great – they’re inexpensive, you can place them anywhere, be precise with your lighting and also get creative. If you’re just starting out, even the torch on your phone can work, but I would recommend getting one or two small lights with adjustable colour temperature. Put the White Balance to auto daylight on the camera, as that always seems to do a really good job.

Nikon magazine - macro photography with spring flowers
Nikon magazine - macro photography with spring flowers
Tiny LED lights are great for macro work. Nikon Z8 + NIKKOR Z 24-120mm f/4 S, 120mm, f/4, 1/60 sec, ISO 400 ©Ross Hoddinott

NM: Where’s a good place to start?

 

RH: Your garden, if you have one. Woodland is great and gives you a lot of options. You don’t have to go looking for rare plants, either – daisies are great subjects for macro. There’s so much variety in wildflowers and things will differ depending on where you are, but you can learn the lifecycle of your local area and get to know when different plants will be blooming and where the good places are.

Dandelion leaves are full of colour and texture. Nikon Z50II + NIKKOR Z DX MC 35mm f/1.7, f/7, 1/400 sec, ISO 500 ©Ross Hoddinott

Nikon magazine - macro photography with spring flowers

NM: What about wildlife in macro?

 

RH: Most of my photography of flying insects, such as butterflies or dragonflies, happens really early in the morning or late in the evening, when the insects are roosting. At those times of day, the insects are naturally torpid and you can get really close. Plus there are lots of small creatures in your garden that won’t fly away, such as snails, caterpillars and ladybirds.

 

NM: Is there an ethical dimension to macro photography?

 

RH: Absolutely! It’s incredibly important. Only choose subjects that you can access easily without doing damage, be sensitive to the environment, don’t trample or cut wildflowers and treat any wildlife with respect. There are some photographers I see who are all about ‘the picture at all costs’. To me, that’s a really worrying message. I see people on YouTube who have picked things to bring home and photograph or have done unethical things to insects, like put them in a refrigerator to make them more docile. We have to talk about things like that. Images should be taken in the natural environment. Yes, it’s OK to remove some dead twigs here and there if they interfere with your composition but you can’t remove living plants that are in the way and you have to treat insects the same way you would treat any other animal as a wildlife photographer.

This Sycamore leaf shows incredible detail. Nikon Z50II + NIKKOR Z DX MC 35mm f/1.7, f/11, 1/400 sec, ISO 1000 ©Ross Hoddinott

Nikon magazine - macro photography with spring flowers

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